A Horse Divided

A Horse Divided

50 strands of hemp twine tenuously bind the two halves of this appaloosa together. An homage to Susan Rothenberg’s “United States II” series of paintings from 1945.

2018. Approx. 36” x 50” Mixed media. Edition of 3.

How To Go To Heaven / How The Heavens Go.

How To Go To Heaven / How The Heavens Go.

2018. 24” x 36” Archival pigment print. Editions of 8.

The Rat

The Rat

Sometimes it’s not what you photograph but how you photograph it that matters. I like to think of this, not as a picture of a rat, but as a picture of perseverance and determination. If an image can build empathy for a rat or some other subject normally reviled, I think that’s worthwhile.

2010. 24” x 24” Archival pigment print. Edition of 12.

Triumph of the Roaches

Triumph of the Roaches

2018. 24” x 24” Archival pigment print. Edition of 12.

The Lobster

The Lobster

2010. 24” x 24” Archival pigment print. Edition of 12.

Louise Vuitton Snake

Louise Vuitton Snake

2018. 24” x 24” Archival pigment print. Edition of 12.

Louise Vuitton Snake (detail)

Louise Vuitton Snake (detail)

The Tadpoles

The Tadpoles

2010. 16” x 16” Archival pigment print. Editions of 12.

Apologue

Apologue

Apologue (noun) A short moral story usually featuring animal characters.

“An intellectual says a simple thing in a complicated way. An artist says a complicated thing in a simple way.” ~Charles Bukowski

People have always used the personification of animals as a method of communicating abstract ideas. For millennia animals have adorned the walls of caves and homes, appeared to us in constellations, folk tales, religious allegories, literature and in advertising.

Apologue introduces a cast of characters that extend an ancient system of communication to examine modern preoccupations such as elitism, tribalism, melioration and decay, love, gluttony and deliverance.